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newson6+1.newson6+2.volvmedia+2.americana-uk+1.digital.abcaudio+2.Previously unheard home recordings by folk legend Woody Guthrie from 1951-52 have been restored using artificial intelligence audio technology and are being released as "Woody at Home: Volumes 1 & 2" on August 14. The collection's most significant track—Guthrie's only known recording of his protest song "Deportee"—was released on July 14 to mark his birthday.volvmedia+2
The 22-track compilation includes 13 songs never before heard outside the family archive, featuring a fresh take on "This Land Is Your Land" with additional verses. These intimate recordings capture Guthrie performing in his Brooklyn apartment with his children audible in the background, using a primitive reel-to-reel tape recorder sent by his publisher.nicklosseatonmedia+2
Advanced AI audio restoration technology made the release possible by separating Guthrie's vocals from his guitar and cleaning up background noise from the deteriorating tapes. Grammy-winner Steve Rosenthal transferred and produced the collection, while Jessica Thompson restored and mastered the recordings using "pioneering software and antique tape machines to de-mix and mix the voice and guitar".nicklosseatonmedia+1
The recordings were made just months before Guthrie was first hospitalized for Huntington's disease, which ultimately silenced him until his death in 1967. "He was blacklisted [during the McCarthy era], so he couldn't perform anymore and wasn't allowed on the radio," explained his daughter Nora Guthrie.telegrafi+1
The timing of "Deportee's" release carries particular weight amid contemporary immigration enforcement policies. Nora Guthrie, who founded the Woody Guthrie Archive, has been attending protests regularly and notes the absence of protest songs addressing current deportations. The song's origins trace to a 1948 plane crash in Los Gatos Canyon, California, that killed 32 people—including 28 Mexican migrant workers being deported—yet news reports only named the four American crew members while referring to the others simply as "deportees."telegrafi+1
Historian Tim Z. Hernandez, who has written extensively about the incident, emphasizes that the Mexican workers were "buried anonymously in the largest mass grave in California's history" while American crew remains were returned to families. Folk singer Billy Bragg draws direct parallels to today's situation, stating that "when ICE [U.S. Immigration and Customs Enforcement] is rounding up people in the fields, this song is more relevant than ever." The song's enduring message about the dehumanization of migrant workers has been carried forward by artists including Bruce Springsteen, Bob Dylan, and Dolly Parton, keeping what Hernandez calls "this conversation in motion" across generations.volvmedia+1